Content in the "music" Category

5 Things I Learned About Startups by Touring in a Dirty Punk Band
We weren’t really that punk but wow, we stank.


Ok, fine, we weren’t really that punk and our “tours” consisted of playing out of town shows over extended weekends. But after 18 months of living the startup life I’ve realized that all those years I spent breaking guitar strings in front of strangers taught me a lot of what I needed to know to run a startup. For example, that time I was frantically editing code on the server during a live demo was a lot like that freezing cold night I hacked together our van’s broken fan belt with some tape and a few beer cans (no shit, that happened.) So, here it goes, 5 things I learned about startups by touring in a dirty punk band.

1. You Could Do It Alone, But You Shouldn't

The bass player is always late and the drummer drinks too much. You wind up carrying most of the gear but, you know what? That good for nothing bass player somehow manages to book amazing gigs and always writes a good hook. When you’re on tour, the drummer, who is always doing shots at the bar, is a lot of fun and almost always gets the band an invite to crash on a couch. He’s also a social media junkie with a ton of followers. The lesson here is simple. Sure, you might have to clean up a pile of vomit here and there, but the value added by a diverse team usually outweighs each individual’s annoying quirks.

The same goes for songwriting. Face it. If you’re not the next (insert the name of your favorite, insanely talented artist here) the songs you write won’t be very good. However, shove a bunch of mediocre musicians together and someone is bound to say, “Hey, I’ve got something that would sound really good right here!” And, “What if instead we play the song twice as fast and make it start with the chorus?” These are creative ideas that, if managed properly, can create an end product that is lightyears beyond what a single individual could produce.

In other words, there’s a lot you can do on your own, but having a diverse group of passionate people who each are able to contribute a unique facet conjures some sort of magic that will drive your startup to success.

2. It Takes a Superfan

It is August. You just drove 600 miles in an un air-conditioned van to a “show” that got moved to an abandoned K-Mart. You walk inside and are immediately told the guarantee fell through. “Don’t worry, they say, you’ll get a cut of the door.” What a nightmare.

To your surprise, kids start flowing through that door. You start playing and notice this girl is singing along and somehow knows the words to every song, even the new one. After the show she comes up and says, “I can’t believe you came to my town! I dragged all my friends to the show and they loved it. Do you have anything for sale?” You give her a stack of stickers and sell 15 shirts to her friends.

This is the super fan. These are the early adopters who force their friends to use your service. These are the people who retweet your release announcements and put your blog posts on hacker news. They are the drivers of growth. Find these people and give them things. Give them free invites for their friends, fun merchandise, some sort of gold status on your service. I don't care what it is, just give them something. Just make them know they’re special. And remember, you need them more than they need you.

3. Shit Happens, Deal

Probably the most important thing being in a dirty punk band taught me is that everything wants to destroy you. Tires blow out, amplifiers catch fire, and people will steal your shit. My personal favorite is when some kid decides he wants some retweets. So, he writes something clever that makes you look like shit. Thanks brother! We appreciate it!

You need a thick skin. You need to react calmly to crisis. You need let things go. Most importantly, you need to act on real criticism and blow off the trolls. That means you have to be good at telling the difference between the two. If that isn’t enough to worry about, you also have to keep your cool in every situation. There’s nothing worse than the regret that inevitably comes after overreacting in public.

4. Cash Flow is King

What do you do when the low fuel light is on and you're 500 miles away from the show? If your wallet is empty, you are fucked. The same goes for running a startup. If you mismanage your cashflow, you’re fucked. There isn't much more to say. Simply do not let cash-flow get away from you.

5. Perfection Will Paralyse You

You could spend 2 days in the studio getting a good sounding snare track but you’ll probably run out of money before you have anything to show for it. I call that paralysis by perfection. Any band who plans it well can record a rough but passable EP in 2 days. Why would you do that? Well, because something is better than nothing and you can spend your leftover money on what is important - getting yourself in front of the people who matter. Read: Grind out a ruthless multi-city tour.

I guess what I am saying is get an MVP out there in front of your customers as soon as possible then grind out some sales and get customer feedback.


So, there it is. Does this mean you should pick up a guitar and go play some shows? No. I think it means you should realize all that advice you read about how to build successful products applies to more than just startups. Also, look at your past experiences, no matter how unrelated to your business, and think about how those lessons learned can prevent you from making a similar mistake in your business. Oh, and take a shower. You smell like soup.


How to Write a Song
Come write a song with me

Read this quote from an article by David Samuels from n+1 called "Justin Timberlake Has a Cold" (then, when you're done reading this blog post, google it and read the whole article. It is pretty good.)

While [Mike] Caren’s rules are not comprehensive or exclusive, it is easy to measure their value by a glance at the dozens of gold and platinum records hanging in his office. He is happy to run down his rules for me. “First, it starts with an expression of ‘Hey,’ ‘Oops,’ ‘Excuse me,’” he begins. “Second is a personal statement: ‘I’m a hustler, baby,’ ‘I wanna love you,’ ‘I need you tonight.’ Third is telling you what to do: ‘Put your hands up,’ ‘Give me all your love,’ ‘Jump.’ Fourth is asking a question: ‘Will you love me tomorrow,’ ‘Where have you been all my life,’ ‘Will the real Slim Shady please stand up.’” He takes a deep breath, and rattles off another four rules. “Five is logic,” he says, “which could be counting, or could be spelling or phonetics: ‘1-2-3-4, let the bodies hit the floor,’ or ‘Ca-li-fornia is comp-li-cated,’ those kind of things. Six would be catchphrases that roll off the tip of your tongue because you know them: ‘Never say never,’ ‘Rain on my parade.’ Seven would be what we call stutter, like, ‘D-d-don’t stop the beat,’ but it could also be repetition: ‘Will the real Slim Shady please stand up, please stand up, please stand up.’ Eight is going back to logic again, like hot or cold, heaven or hell, head to toe, all those kind of things.” The ninth rule of hit songwriting is silence.

One of his examples of a song that uses the most rules in the fewest words is “What’s Your Fantasy” by Ludacris, which starts off with “I wanna li-li-li-lick you from your head to your toes.” Mike Caren says, “In the first line: a personal statement, ‘I want to,’ a stutter, repetition, ‘li-lick you,’ logic, ‘from your head to your toes, move from the bed down to the down to the, to the floor’” Caren says, “‘I gotta know’—another personal statement—and asks a question, ‘What’s your fantasy?’ So he’s got six of them, in the first two lines of the song.”

I love that. let's try to write some songs. I'm interested in writing a country sounding concept album in which the protagonist sings about the conspiracy theories he believes and his journeys with aliens. The plan is to make it so the songs sound like perfectly normal hipster country folk until you really listen to the words. Let's get started by listing the rules.

The Nine Rules of Hit Songwriting

  • Start with an expression of: Hey, Oops, Excuse Me.
  • Have a personal statement of what I am or what I need: I am a hustler. I need you.
  • Tell the person what to do: Put you hands up, Give me your love,
  • Ask a question of the person: where have you been? will you love me?
  • do some couting, spelling, or phonetics
  • catchphrase - (the hook)
  • do a stutter or repeition (is this different than counting, spelling or phonetics?)
  • go back to logic in a clever, hooky way, heaven/hell hot cold, head to toe
  • silence!

Ok, so this is very much more about the craft of songwriting rather than inspiration. That's good! I've been on twitter a lot lately trying to drum up followers and you know what? Everyone is chock full of inspiration, but not many people are doing things.

I like doing things.

Tangent over! Dan Harmon is kind of awesome. If you don't know who he is, look him up. He says that if you want to write, just write. There's no other way to get better at it. He does offer some advice on a story arc. It isn't anything groundbreaking, but for some reason I have to be constantly reminded of it. He says:

  1. A character is in their comfort zone.
  2. They want something
  3. They enter an unfamiliar situation
  4. They Adapt
  5. They get what they wanted
  6. They pay a heavy price for it
  7. They return to the familiar situation
  8. They have changed.

Good advice! Now I need to buckle down and write/record that album!


Music I've Been Listeing To
blah blah blah blah

Frank Ocean is a little rough around the edges when it comes to Grammy performances. I should have watched. Instead I was working.

I still love We Were Promised Jetpacks and then a Counting Crows song came on and I thought, "oh you..." and then i listened to it and then i realized that there is always room for these effusive songwriters like Dashboard Confessional and now, who, Mumford and Sons? What are they really doing? Playing the game. And then 15 minutes later I realize I'm still listening to Counting Crows.

Oh, and yeah, so a lot of the stuff I've been listening to relies heavily on rich reverbs and echo (braids, givers, seryn, tree ring) so that's sort of the sound now. And then some old pearl jam or this counting crows stuff comes up which relies heavily on multitap delays. Was multitap delay sort of the sound of the late 90's? I know I was using the hell out of it (even though I had no idea what I was doing and it sounded like crap)

Friday the sys admins were losing their shit. Today it is the developers who are doing a live demo in ten minutes. I'm glad it isn't me.